Dogs & Cats

I honestly did NOT know this…

Guess I better brush up on my German!

Today’s Word of the Day is “katzenjammer.”

 

Did You Know?

Have you ever heard a cat wailing and felt that you could relate? Apparently some hungover German speakers once did. Katzenjammer comes from German Katze (meaning “cat”) and Jammer (meaning “distress” or “misery”).  English speakers borrowed the word for their hangovers (and other distressful inner states) in the first half of the 19th century and eventually applied it to outer commotion as well.  The word isn’t as popular in English today as it was around the mid-20th century, but it’s well-known to many because of The Katzenjammer Kids, a long-running comic strip featuring the incorrigibly mischievous twins Hans and Fritz.

 

Another odd phrase referring to hangovers is “hair of the dog.”  The following bonus FB photo has absolutely nothing to do with that, but I found it (and the associated comment below) hilarious anyway.

 

Dogs and sheep, not cats in misery.
“Hitting the cooking sherry again???”

Yes !!!

Tax

It’s April 15th, and y’all know what that means: Happy Tax Day!

Kudos and thanks to my better half, who stayed up until the wee hours last night helping me navigate the vagaries of the Federal (plus 3 different State) returns:  AVW, you’re simply the best.

So, to honor of my favorite educator, here’s a quote from an old Democrat pol – and a guy who knew a thing or two whereof he spoke…

 

A THOUGHT FOR TAX DAY:

“The tax which will be paid for the purpose of education is not more than the thousandth part of what will be paid to kings, priests, and nobles who will rise up among us if we leave the people in ignorance.”

Thomas Jefferson (1743-1826), president, architect, & author

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It was Prop 13‘s negative effect on education in the Golden State (look it up!) that induced us to migrate from CA to CO back in ’94.  Now that a bit of a reverse migration has occurred, we find that FTB’s forms are as bewildering as ever (sorry, BRG!).   But thanks be to TaxAct – and TurboTax, and all the rest – there now are online packages to assist.  Without their help turning relatively straightforward Q&A into 54-convoluted-pages of 1040, 540-NR, DR-104, and K-40 gobble-de-gook, the task would be well nigh impossible.

Even for a guy as smart as Thomas Jefferson.

Guaranteed

The area where I live near California’s state capitol is variously known as “Washingon,”  “Broderick,” “West Sac,” and perhaps most tellingly from days gone by, “Shantytown.” It lies in an area on the west bank of the Sacramento River directly across from downtown.  Before levees were built, it flooded regularly.  West Sac used to be industrial and blue collar.  Now, because of proximity to business and entertainment centers (it’s walking distance to Golden 1 Center, Old Sac, the State Capitol, and Raley Field), it’s rapidly gentrifying.  As such, people aren’t quite sure what to make of it.  Hence the multiple names.

The block of 35 homes where I live is called “The Good Project.”  It was developed by a high-end builder called Bardis Homes.  They specialize in something called “urban infill.”  This is real estate jargon for expensive, high-density housing on formerly cheap land that’s no longer cheap.  Hard by the levee, steps away from “The River Walk,” this construction was begun a little over ten years ago with a few units at the corner of 4th and B Streets. Then, in 2008, the bottom fell out of the real estate market.  The rest of the block stood empty for the next decade.  Last year, after the economy picked up again, the remaining units – including mine – were built out.  They sold quickly.

 

392 Midstream Lane, guaranteed nanny-cam-free
Midstream Lane, The Good Project, West Sac.

 

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Slate magazine recently published an article titled “How to Scan Your Airbnb For Hidden Cameras.”  In it, they recount recent Airbnb guests’ experience – and outrage – over being recorded by what used to be called “nanny-cams.” The technology – both to record, and to detect the devices that do the recording – has been around for some time now.  Only the outrage is new.

I and several of my neighbors do Airbnb out of our homes in The Good Project.  It’s a great way of leveraging the property investment into another income stream.  Because of the transitional nature of the neighborhood, many of the places on Midstream Lane boast outdoor cameras by the front door accompanied by prominently displayed signs like the one below.  No word on how many of those other places also have indoor cameras.  All I can say is, Caveat Emptor.

 

CCTV signage on Midstream Lane
Smile!  You’re on Candid Camera.

 

Oh, and just for the record?  The Airbnb at 392 Midstream Lane is guaranteed 100% nanny-cam-free.  I should probably put up a sign saying so.  Couldn’t hurt, right?  Always pays to advertise.

 

 

Enough Rope

O man.

Dorothy Parker in the New Yorker.

Drama in the Roaring 20’s.

What’s not to like?

 

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On This Day in History

…the witty and caustic Dorothy Parker resigns her job as drama critic for The New Yorker.  However, she continues to write book reviews until 1933.  These are published in 1971 as A Month of Saturdays.

For many readers, the funny, sophisticated Parker symbolized the Roaring Twenties in New York.  Parker was born in New Jersey and lost her mother as an infant. Shortly after she finished high school, her father died, and she struck out on her own for New York, where she took a job writing captions for fashion photos for Vogue for $10 a week.  She supplemented her income by playing piano at nights at a dance school.

In 1917 she was transferred to Vanity Fair, where she became close friends with Robert Benchley, the managing editor, and Robert Sherwood, the drama critic.  The three became the core of the famous Algonquin Round Table, an ad hoc group of newspaper and magazine writers, playwrights, and performers who lunched regularly at the Algonquin Hotel and tried to outshine each other in brilliant conversation and wisecracks.  Parker, known as the quickest tongue among them, became the frequent subject of gossip columns as a prototypical young New Yorker enjoying the freedom of the 1920s.

Parker lost her job at Vanity Fair in 1919 because her reviews were too harsh.  She began writing reviews for The New Yorker, as well as publishing her own work.  Her 1926 poetry collection, Enough Rope, became a bestseller.  Her short story collection, Big Blonde, won the prestigious O. Henry Award.

 

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Bonus Dorothy Parker content, below.

The first quote is my personal favorite.

The last is arguably her most famous.

 

 

Yer welcome.

 

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And if that’s not enough – more satire, here.

Berry 5.1

If you grew up on a farm picking fruit like I did….

Or, if you dig robotics, automation, and artificial intelligence…

Or, if you did grad work alongside U.C. Davis ag extension agents…

Or, if you just like eating strawberries, oranges, apples and grapes…

Then this story – from the current issue of the New Yorker – is for you.

 

Not your grandfather's Berry 5.1
Wish Farms, in Florida, picks, chills, and ships some twenty million strawberries at peak season.  As harvest-time labor has become much more scarce, and more expensive, farmers are turning to automation to fill the gap.

 

“Nobody wants hydraulic fluid on their strawberries.”

 

Which begs the question:  Are free-range strawberries happier strawberries?

 

Berry 5.1
Berry 5.1 in action.

A Couple

There were a couple this week that just struck me as funny.

Not sure why.

Enjoy.

 

A couple of funny ones from the New Yorker.
“Is shirts versus skins really necessary?”

 

 

A couple of literary types
“You tend to overuse the exclamation point.”

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Thanks, New Yorker cartoonists .

Satire

I’ve been a big fan of satire for a very long time.  Perhaps it’s been since I first read “A Modest Proposal” in the 10th grade. Or maybe it was since I read Mad Magazine in the 8th?  In any case, I’ve written an appreciation here in these pages before about Mark Twain, the great American satirist of the post-Civil-War era. And if I allowed myself a bit more political leeway, nowadays on any given day I could probably post something from The Onion or Andy Borowitz and we could all have a good laugh together.

 

However…

 

Today’s NY Times has an op-ed, written by a philosophy professor, last name “Smith.” (Smith?  Yeah, right!).  The piece is titled “The End of Satire.”  I don’t recommend you read it.  That’s not because it’s not worthwhile, mind you. After all, it was provocative enough to get me thinking about these things.  Rather, it’s because there’s nothing even remotely funny about it.  And my take has always been:  Go funny, or go home.  The subtitle gives a sense of where this thing is headed:  “The toxic disinformation of social media has rendered traditional forms of humor quaint and futile.”  Good Lord.  Can somebody please just shoot me now?

Don’t get me wrong:  I’m not overtly suicidal here.  And social media commentary like this certainly has its place – even if that place is not always center stage.  Hell, I’m even willing to listen to a philosopher pontificate once in a great while – so long as said philosopher knows when it’s time to sit down and shut up.  But I guess the point of this particular piece – which starts off with a nod to the 2015 terrorists’ slaughter of French cartoonists at Charlie Hebdo, then goes downhill from there – is that technology (and more specifically, Internet technology) has transformed our world to such an extent that satire is now obsolete.

 

Really?

 

Jonathan Swift wrote “A Modest Proposal” when the Potato Famine was killing Irish men, women, and children by the thousands, and displacing millions more from their homeland.  Swift’s biting satire recommended (tongue-in-cheek, of course) that the Irish should cook and eat their own children as a means to avoid starvation, and to further the general economic good.  Say whatever else you will about him, Swift, as an English clergyman who was criticizing his own government for oppressing the Irish, knew exactly what he was doing.

 

Or, to quote from today’s Times op-ed:

 

Satire is a species of humor that works through impersonation: taking on the voices of others, saying the sort of things they would say, using one’s own voice while not speaking in one’s own name.  It is not surprising that this craft is so often misunderstood.  For when satirists do their job convincingly, when they get too close to their target, it is easy to hear them not just as the channelers of the views expressed in the satire, but as defenders of these views as well.  It is at such moments that critics like to exclaim that a satirist has “gone too far.”  But it would be more correct to say that the satirist has only done his job too well.

 

I hear you, Mr. Smith. And as far as it goes, you’re entirely right.

Then, in the very next paragraph, there’s this:

 

Today, with the pollution that new technologies have brought to our information ecosystem, this distinction is no longer so easy to make.  And this is the real problem – and danger – of satire.  Not that it mocks and belittles respect-worthy pieties.  Not that it “punches down.”  But that it has become impossible to separate it cleanly from the toxic disinformation that defines our era.

 

I will grant you that, here in the Internet Age, things have sped up.  This includes the muddying of media waters by those with an ax to grind.  I will grant too that human nature has not changed one iota.  From time immemorial, the human urge to tear down competes tooth and nail with what Lincoln famously referred to in his Second Inaugural as “The better angels of our nature.”

 

Still…

 

We humans have had technological revolutions before.  From the domestication of grain to the invention of the wheel, the printing press, and the assembly line, all the way down to the dawn of the atomic age:  Over the grand sweep of things, is Internet technology really all that much bigger of a deal? Are the Charlie Hebdo killings more heinous than what happened to Irish babies in the 18th century, when Swift wrote?  Than what befell our own country in the wake of the Civil War, when Twain wrote? Than Hiroshima and Nagasaki?

 

Again, let me say it:  Really?

 

In defense of Mr. Smith, he does end up in a bit more nuanced of a place than his title or subtitle would at first lead us to believe:

 

Over the past few years I have been made to see, in sum, that the nature and extent of satire is not nearly as simple a question as I had previously imagined. I am now prepared to agree that some varieties of expression that may have some claim to being satire should indeed be prohibited. I note this not with a plan or proposal for where or how such a prohibition might be enforced, but to acknowledge something I did not fully understand until I experienced it first hand — that even the most cherished and firmly-held values or ideals can change when the world in which those values were first formed changes.

 

OK then.  All’s well that ends well.  Times change.  Caution’s warranted.

I’m good with all that.

And yet sometimes…

 

Well, perhaps Swift said it best in 1729:

 

“I am assured by a very knowing American of my acquaintance in London; that a young healthy child, well nursed, is, at a year old, a most delicious, nourishing, and wholesome food; whether stewed, roasted, baked or boiled, and I make no doubt, that it will equally serve in a fricassee, or ragout.”

 

Satire is dead?  Long live satire!

Brooks

Those of you who know me know that I am a sometime fan of New York Times columnist David Brooks.  I have posted on him before, and if you’re interested you can read (or re-read) that one, here.  Many of my dear friends – including some subscribers to this blog – hate Brooks with a passion.  A lot of that has to do with his long history as an unapologetic cheerleader for free-market economics during the Reagan years.  Also – more recently – his patronizing moralistic tone when writing yet another book or column about his “spiritual journey.”

Well, to all the haters, let me say first and foremost:  Nothing has changed. David’s got a new book coming out, and you don’t even need to go any further than the title to see that fact plainly:  “The Second Mountain: The Quest for a Moral Life.”  In today’s NY Times op-ed pages, Brooks sketches an outline for his forthcoming book under the title “The Moral Peril of Meritocracy.” Full text of the op-ed, here.  My comment on it, below.

 

Very good, grasshopper. There are a whole lot of people out there who will never forgive you all the things you said and did while on your First Mountain quest. I am not one of them. Good luck on your Second Mountain journey – which includes of course sales of the new book. Hey, a man’s gotta eat.  Am I right?
Dan Wolf
Denver, CO | Pending Approval

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The NY Times apparently has some kind of new comment-approval-bot that screens out the worst of the ad hominem author attacks along with the more pointed – and lengthy – counter-points.  Therefore, I try to keep my own comments short, and my blows, if any, glancing – the better to fly under the Times’ semi-automated radar.  We’ll see how long it takes my comment status to go from “Pending Approval” to “Accepted.”  <Details on your late local news at 11…>

Quick

Quick, name the NBA’s all-time leading scorer…

 

10 points for the first correct answer.

5 points for all correct answers.

1 point for any answer at all.

<C’mon – ya gotta play to win!>

 

FAQs

 

Q:  Where can I redeem my points?

A:  Anywhere you want.

 

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On This Day in History in 1984, Kareem Abdul-Jabbar became the NBA’s all-time leading scorer – a record he still holds.  If you guessed “Michael Jordan” –  sorry, no points for you!  And if you guessed “LeBron James?”  Well, all I can say is, you’re a couple of years too early.  But all things come to (s)he who endures, so hang in there.

Here are the top 25 all-time NBA scorers as of today.  Of course for current active players (listed in ALL-CAPS below), the numbers go up daily.  Check back around 2022 for an update:  That’s when LeBron will pass Kareem – assuming he stays healthy until age 38.

 

Points Leaders
RK PLAYER PTS
1 Kareem Abdul-Jabbar 38,387
2 Karl Malone 36,928
3 Kobe Bryant 33,643
4 LeBRON JAMES 32,543
5 Michael Jordan 32,292
6 DIRK NOWITZKI 31,496
7 Wilt Chamberlain 31,419
8 Shaquille O’Neal 28,596
9 Moses Malone 27,409
10 Elvin Hayes 27,313
11 Hakeem Olajuwon 26,946
12 Oscar Robertson 26,710
13 Dominique Wilkins 26,668
14 Tim Duncan 26,496
15 Paul Pierce 26,397
16 John Havlicek 26,395
17 Kevin Garnett 26,071
18 Alex English 25,613
19 CARMELO ANTHONY 25,551
20 VINCE CARTER 25,413
21 Reggie Miller 25,279
22 Jerry West 25,192
23 Patrick Ewing 24,815
24 Ray Allen 24,505
25 Allen Iverson 24,368

 

The Backstory

 

Born Ferdinand Lewis Alcindor Jr. (yeah, with a first name like “Ferdinand” I’d change it to Kareem too), he played for legendary coach John Wooden at UCLA, winning 3 NCAA titles.  In 1969 he became the first overall pick in the NBA draft.  Over the course of a stellar 20-year pro career he won 6 league MVP awards and led his teams (Milwaukee, and later, Los Angeles) to a total of 6 NBA championships.  After his 1989 retirement at age 42, he wrote several books, listened to jazz, and coached Native American kids in Arizona.

Through the years Kareem kept in close contact with his college coach. He even wrote a book called Coach Wooden and Me and delivered a eulogy at Wooden’s funeral in 2010.  Visually, they were an unlikely duo.  But at heart, they were kindred spirits.

 

 

Last word on Wooden goes to Kareem:

 

“He wanted to win, but not more than anything … My relationship with him has been one of the most significant of my life … The consummate teacher, he taught us that the best you are capable of is victory enough.  That you can’t walk until you crawl – that gentle but profound truth about growing up … We’d sit on the bus and talk about when to use a colon and when a semicolon. We’d argue the difference between ‘like’ and ‘as if.'”

 

All that and 38,387 points too?  Whodathunkit!

 

Moonshine

Today’s Word of the Day is Angels’ Share.  There once was a bar and restaurant in the Roxborough Marketplace by this name.  It went out of business before we got a chance to try it.  Now under new ownership, it’s called Spruce Mountain Something-or-other.  But I recently came across a movie set in Scotland that was titled “Angels’ Share.” This prompted me to look it up.  Turns out, the term comes from whiskey manufacturing.  The following is excerpted from a site called https://thewhiskeywash.com/.

 

Moonshine becomes whiskey thanks to alcolhalic angels.
We have porous barrels and alcoholic angels to thank for smooth whiskey from moonshine.

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These days, pretty much all whiskeys are aged in wooden barrels. The wood absorbs some of the more unpleasant aspects of distillate (such as sulfur), and, in return, imbues the liquid with flavors unique to itself. The harmony between whiskey and wood has existed for years.

However, there is a catch.  Due to the porousness of the barrel, some of the liquor inside disappears during the critical aging process. The result? A loss of about 2% of the total volume per year.  Because the liquid evaporates into the heavens, it is dubbed the “angels’ share.”  Images of drunken angels notwithstanding, this unavoidable circumstance is both a blessing and a curse.

As mentioned, one of the biggest reasons alcohols like whiskey are aged in barrels is to remove some of the undesirable parts. The “angels’ share” phenomenon further helps with the maturation and smoothness of the liquid, as it can reduce an almost undrinkable, high-proof moonshine into a soft, clean-finished whiskey.

However, the downside is that since most whiskeys and scotches are aged for many years, the total volume can drop quite significantly.  For example, a twelve-year-old scotch can lose up to 24% of its liquid by the time it’s ready for consumption. This is further exacerbated in warmer, drier climates where the angels’ share can reach upwards of 4-5% per year.

 

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So, there you have it.   Angels are getting drunk at our expense.  And in return, we get smooth whiskey in place of raw moonshine.  Not a bad deal if you ask me.

As for the movie, it was a fun romp.  Only one caveat:  You have to watch it with closed-captions turned on, because the Glasgow accents are so thick, you’d miss most of the dialogue otherwise.

And as for Spruce-Mountain-Whatever in Roxborough Marketplace?  No word yet on the quality of their moonshine.  But stay tuned:  It’s now on my bucket list.